Is the Broker/Owner of Zimmerman Realty, Ltd. Example 1.Bellefontaine Office: 93 Indian Lake Office: 93Ĭongratulations to our 6 Zimmerman Realty agents who earned the 2022 President's Sales Club Award for closing… Read Post Meet the Broker Doug Zimmerman A bit of organic delay will add some sonic breadth – you could even try some subtle slapback. A touch of spring reverb for a fuller tone, and good overdrive pedal in front of a warm-sounding American style amp should do the trick. Robben often uses a very fat and overdriven tone from his legendary Dumble tube amps, but here we’re keeping things cleaner. Get the toneĪmp settings: Gain 6, Bass 6, Middle 4, Treble 6, Reverb 4 While there’s a lot of detail in the solo at the end of this lesson, you might want to view it as the second chorus of a solo on a blues – for the first time around the sequence, you might want to play more sparsely. Try integrating these more detailed lines into your blues playing, but remember too much of the jazz stuff played over a blues can sound like you’ve walked into the wrong gig. Then, by adding a chromatic approach note to the major 3rd we create the more typical bluesy effect. This is a common Robben move and has a sophisticated Dorian vibe, which is quite a jazzy sound. In example 3, we’re working around the chord tones of C with the 6th degree added. Try it – it sounds pretty bad, doesn’t it? Unless you’re a really experienced jazz player, you’ll find it extremely difficult to make the altered scale work on a non-resolving dominant - for instance where the two bars of F7 move back to C7, F7 is very much not a perfect 5th above C7 and doesn’t make a dominant resolution.
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